Statement

My work explores the edge of legibility. As an abstract painter, I am interested in painting as language, as markings with intrinsic semantics.

The sharp delineation between painted and non-painted surface, where the gesture becomes picture is at the core of my interest as an artist.

During my student years my work became more process oriented and I am interested in the immediacy and presence of the creative process.

Gesture, time and materiality of a piece are always visible in my work.

I work with fluid inks and acrylics on various surfaces such as yupo, paper, canvas and panels.

In shows I often assemble work in spatial installations where various painting modules enter in a dialogue and form a new context of abstract meaning.

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